Lmao fuck this piece of shit country FUCK IT
people who say “but if gays get married, what about polygamists! we’d have to let them do it, too!” like lmao why the fuck not
shit yeah let’s do it who cares
Any time legally consenting adults want to get married to other legally consenting adults, I don’t understand why there has to be a problem with it???!!!
Let me tell you about the sheer brilliance that is Meryl Streep and her creation of Miranda Priestly.
Ask any young woman what her favourite film of Meryl’s would be, and I’m quite certain that The Devil Wears Prada would come up in conversation, favourite or not. And it may seem like a generic answer: oh, a film about fashion, so obviously women would identify with it. No, that’s not it. This film isn’t about fashion. This film, as Meryl says, “is a story about a woman at the head of a corporate ladder who’s misunderstood, who’s motives and pressures on her are intense and who doesn’t have time to play certain nice games.”
And though screentime and first bill casting can indicate that Andrea Sachs is the main character, who are you really left thinking about at the end of the film?
Miranda Priestly — the woman who was written as a fictional equivalent to Anna Wintour from the novelist Lauren Weisberger’s experience as her assistant — in the novel was a raging, two-dimensional boss from Hell written only to antagonize and complicate the lives of her employees with impossible standards and even more impossible demands. She was expected to resemble Vogue’s editor-in-chief (Miranda’s office in the film a near replica of Anna’s), so imagine everyone’s fucking surprise the first day Meryl showed up on set wearing an untested wig white as snow, with a voice that never raised, where the most deadly delivery was a whisper.
But this scene on the right, this scene that hadn’t existed until Meryl went and thought, “wait a minute, there’s an imbalance of character here…” so she brought it to light and this was written. Sparingly, as it was said, yet one of the very few scenes to be altered in the entire film. This is how it went: Meryl showed up to the scene without any make-up. She walked in, didn’t talk to anybody, sat down and did it, got up and left, went downstairs and waited. She did this scene once.
And the thing is, this wasn’t meant for you to suddenly cheer for Miranda; it was to show you that she was human and that her success came with a costly price that hurt her the most. She thawed the Snow Queen, extinguished the flames of the fiery boss from Hell and gave her what she never had on paper: substance.
If completely reinventing a character from a subpar novel by giving her actual character and successfully distinguishing her from the woman she was based on isn’t considered pure talent, then I don’t know what is.
"Jen is getting back together with Kyle"
"What? After last time?"
"I know right. I can pierce the vail into raw unsheathed chaos and madness and even I still don’t know what he sees in him."
I BET THAT IF TWO KIDS LIVED IN THOSE TWO HOUSES THAT THEY WOULD COME OUT ON THEIR ALMOST CONJOINING ROOFS OUTSIDE THEIR BEDROOM WINDOWS AND TALK AND BE BEST FRIENDS AND FALL IN LOVE.
I will not write fluff to that. I won’t. No.
LUCY I FOUND IT
But what if instead of two kids, it was, say, a kid and an old woman? And at first they just ignore each other and keep their blinds down and curtains shut, but then the kid climbs out onto the roof one spring morning to get a frisbee and she’s got the window open bc it’s so nice out and she tells him to cut that out, it’s not a jungle gym and maybe the kid shows off a bit and nearly falls, and the old woman catches his arm…. anyway, so sometimes they leave the windows open and the kid’ll show off his comic books or asks what rhymes with ‘beautiful’ (and it’s totally for homework shut up), and the old woman tells him about all the protests and marches she took part in, and asks him the name of that one cute pop star (it’s absolutely for her crossword now shush). And the old woman gives the kid relationship advice, and doesn’t tell when he tries a bit too much of his parents’ liquor cabinet one time, and the kid comes over and shows her how to use the smartphone her daughter bought for her, and doesn’t tell when she sneaks a cigarrette out of said daughter’s bag. And when the weather’s too bad to open the windows, they tape silly pictures or notes to the glass for the other to see (the kid makes sure to make his extra big so she doesn’t have to admit her eyeight isn’t what it used to be), and when it is nice the kid will sneak over and leave seashells on her windowsill, because the old woman said once she misses the sea, but she can’t travel like she used to. And one day he peeks in her window and sees her on the floor, and calls 911 and basically saves her life because she had a stroke and nobody would’ve known in time otherwise. And when she finally gets back from the hospital, just for a while because her daughter’s talking about a retirement home where she’ll have plenty of medical care and lots of friends her age, the kid comes through the window and then pulls another kid through the window who he introduces as his boyfriend, and says he wanted her to meet him. And she sniffs and interrogates the boyfriend in proper elderly relative fashion, and then declares him worthy of her boy— barely. And when she finally does have to go to that retirement home, the kid still comes to visit her, and always leaves seashells on the windowsill.
I’m not crying or anything
I am omg
I can’t even walk in heels that high and I want them.
I Can. I can walk in those. GIMME!!
i have a mighty need